I’m doing the “Keep an open/expansive mind all day” experiement, and it’s been really interesting to try to keep inspired all day…
Last night I wrote down a short list, asked the Universe to help me out with new ideas for making Art & Money, and I woke up with some great ideas.
Determined to maintain my open & creative mind for as long as possible, I embarked on a creative blitz all afternoon, starting with the ideas from my dreams, then looking back at my previous work, taking my ‘baby ideas’, and seeing how far they’d go.
What’s interesting about this approach to my work, is that it requires me to be in my most open state of mind, because whenever I come up against something I haven’t done before, there is often a tendancy for criticisms, excuses, and doubts to creep in.
The key is to carry on regardless, to entertain those grand ideas. and take them even further…
Changing states of mind
One thing I’ve noticed is that things keep changing, as I entered a new environement, prepared lunch, whatever, I found myself in a slightly different head-space.
So it’s not so much about trying to ‘hold on’ to a state of mind, as about returning to it again and again, from all the different places your mind goes…
Baby Steps
Another thing I tried was to take ‘baby steps’, which is the idea that we can get from where we are to where-ever we want to go through a simple chain of actions, so long as we trust that each step will lead on to another.
As I found myself at the start of the week, I wrote down a specific goal for the coming week, and then asked myself, what can I do now that feels like it’s pointed in that direction? (even if it doesn’t contain the complete solution)
And one thing came to mind, which was writing an email to some clients of mine, who had expressed interest in a further sale or commission.
So I got on with the email, which I’d held off for a couple of weeks, and as I was doing it I realised it was putting me into my ideal state of mind, because I was communicating with people who were encouraging me, and actually buying into my most ambitious ideas.
For an artist, patrons are wonderful things to have, because they are often wealthy people who like what you do and regularly buy your work. Patrons can come and go, and it’s sometimes demoralising to notice their absense, but what I realised was that I could quite easilly tap into the ‘feeling’ that having patrons evokes, even when they’re not around.
The feeling is one of validation, support, and best of all, a keen interest in my as yet undiscovered potential.
I’m currently doing a commission for someone, and she doesn’t want to influence me too much because she’s intrigued by what I’ll come up with. She is my favorite type of client because she understands the true artistic process. Great art must be allowed to evolve and develop naturally.
So the email led to an inspired state, which led to more expansive ideas for art works, and actually revisiting projects I started a couple of years ago, but had left to gather dust, as I couldn’t imagine an outlet for them at the time.
These ideas have given me a renewed confidence and enthusiasm for my work. In fact I’ve felt far more inspired looking at my own work, than at other people’s.
I’ve realised that my problem hasn’t really been lack of ideas or money, but a lack of confidence in my ability to make those more ambitious ideas happen.
My greatest enthusiasm is for my grandest projects, but they often lie outside my experience, and way outside my comfort zone. I get so far with them, but then find myself coming up against the limits of what I know.
But then when I return to my ‘normal’ work, I lack the same desire to do it, knowing that I’d rather be doing something else, something grander and more exciting.
Much of the most interesting new Contemporary Art involves artists embracing these ‘outside’ factors in order to realise ideas that are grander than they could achieve on their own. This is new territory for me, and is unfamilar ground, but it’s a vital step in my realising my full potential.